Abstract
This article stems from an interest in comprehending the circulation of forbidden books within the peripheral regions of Mexico and how political literature influenced the lower classes during the 19th century. This paper scrutinizes the trial against a muleteer from Tuxtla, Chiapas, who was charged in 1844 for possessing a music box containing an obscene image inside, and a saddle with devilish patterns, as well as books authored by Rousseau and Voltaire. This investigation posits that, to reconstruct the life cycle of the 1book in the 19th century, it is insufficient to examine the commercial trajectories of renowned publishers and booksellers, for other agents must be considered; muleteers serve as a prime example of such agents: besides trading printed media in peripheral regions, they also spread controversial ideas orally in a variety of public spaces such as squares, roads, haciendas and shops.
Authors who publish in Bibliographica automatically accept the following terms:
a. Authors will keep their authorship rights and will guarantee the journal the first time publication rights of their submitted work, which will be liable to a Creative Commons license that will allow third parties to share their work as long as they give appropriate credit to the author and the first publication is attributed to Bibliographica, it is not used for commercial purposes and modified material is not distributed in case of remix, transformation or recreation.
b. Authors can adopt other non-exclusive distribution license agreements of the published version of the work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) as long as the first publication is attributed to Bibliographica.
c. Authors are encouraged to self-archive their work (for example: in institutional telematic archives or their website), for this can promote interesting exchanges and increase the citation impact of the published work. (See The effect of open access).