Abstract
The image of Francisco Villa, one of the best-known Mexican revolutionaries in the world, has undergone several transformations over the decades. This is due to the great variety of versions that exist about his life, particularly around his outlaw past, which led to the emergence of various legends that Villa himself, on many occasions, celebrated and spread. The photographs, cinema, oral history, but specially the press, built Pancho Villa’s image. This article explains how and why the character of the general from Durango was constructed in the Carrancista press published in Mexico – opposed to its revolutionary project – during the war of factions, that is, since the end of 1914 to the middle of 1915; in other words, from the revolutionary rupture to the Carrancista triumph in the Bajío’s battles.
Authors who publish in Bibliographica automatically accept the following terms:
a. Authors will keep their authorship rights and will guarantee the journal the first time publication rights of their submitted work, which will be liable to a Creative Commons license that will allow third parties to share their work as long as they give appropriate credit to the author and the first publication is attributed to Bibliographica, it is not used for commercial purposes and modified material is not distributed in case of remix, transformation or recreation.
b. Authors can adopt other non-exclusive distribution license agreements of the published version of the work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) as long as the first publication is attributed to Bibliographica.
c. Authors are encouraged to self-archive their work (for example: in institutional telematic archives or their website), for this can promote interesting exchanges and increase the citation impact of the published work. (See The effect of open access).