Abstract
This article presents an understanding of the project Cuentos Mexicanos, a section of El Nacional newspaper, as a space of attraction for readers who enjoyed the genre of the short story and the work of the authors announced in its leaflet. The section sprouted in an adverse context for journalism in Mexico; nevertheless, regarding the literary field, these polemics contributed to changing the function of literature and allowed the analysis of arguments from opposing groups. The project promoted decadent modernista writings, which eventually brought together a group of young writers who, one year later, would found Revista Moderna. This article suggests that one of the signing writers, Ana Ruiz, was a pseudonym used by a modernista in order to participate in the project without unfavorable consequences, a decision derived from the animosity between different newspaper directors.
Authors who publish in Bibliographica automatically accept the following terms:
a. Authors will keep their authorship rights and will guarantee the journal the first time publication rights of their submitted work, which will be liable to a Creative Commons license that will allow third parties to share their work as long as they give appropriate credit to the author and the first publication is attributed to Bibliographica, it is not used for commercial purposes and modified material is not distributed in case of remix, transformation or recreation.
b. Authors can adopt other non-exclusive distribution license agreements of the published version of the work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) as long as the first publication is attributed to Bibliographica.
c. Authors are encouraged to self-archive their work (for example: in institutional telematic archives or their website), for this can promote interesting exchanges and increase the citation impact of the published work. (See The effect of open access).