Abstract
Sister Francisca Josefa de la Concepción was a Poor Clare nun from Tunja, who wrote an autobiography known as Vida, following her Jesuit confessors’ orders. In her text she described some of the mystic visions and dreams she endured. This article proposes that due to her rapport with her confessors, the description of said visions followed the compositio loci technique taught by Ignatius of Loyola in the Spiritual Exercises. Hence, tracing her intellectual education, characterizing her works among the female conventual writing genre and exemplifying it within the Ignatian rhetoric, this article is a case study that presents new possibilities of analyzing the colonial visual culture on writing and orality, surpassing pictorial boundaries.
Authors who publish in Bibliographica automatically accept the following terms:
a. Authors will keep their authorship rights and will guarantee the journal the first time publication rights of their submitted work, which will be liable to a Creative Commons license that will allow third parties to share their work as long as they give appropriate credit to the author and the first publication is attributed to Bibliographica, it is not used for commercial purposes and modified material is not distributed in case of remix, transformation or recreation.
b. Authors can adopt other non-exclusive distribution license agreements of the published version of the work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) as long as the first publication is attributed to Bibliographica.
c. Authors are encouraged to self-archive their work (for example: in institutional telematic archives or their website), for this can promote interesting exchanges and increase the citation impact of the published work. (See The effect of open access).