Abstract
This paper is the result of a research study which aims to understand how the work of Antonio de Vieira was received in the Hispanic world and the changes it went through along the Seventeenth to Eighteenth centuries, based on censorships and dedications in publications of the term. The approach to Spanish editions of the Portuguese Jesuit’s work made possible to understand how it was received in the intellectual context of that time, and to comprehend the changes esthetics had along the Spanish baroque and Enlightenment, which can be observed in the same censored works.
Authors who publish in Bibliographica automatically accept the following terms:
a. Authors will keep their authorship rights and will guarantee the journal the first time publication rights of their submitted work, which will be liable to a Creative Commons license that will allow third parties to share their work as long as they give appropriate credit to the author and the first publication is attributed to Bibliographica, it is not used for commercial purposes and modified material is not distributed in case of remix, transformation or recreation.
b. Authors can adopt other non-exclusive distribution license agreements of the published version of the work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) as long as the first publication is attributed to Bibliographica.
c. Authors are encouraged to self-archive their work (for example: in institutional telematic archives or their website), for this can promote interesting exchanges and increase the citation impact of the published work. (See The effect of open access).